People ask how long it takes me to do a plein air painting and I usually reply; “Oh, about 34 years and 2 hours” referring to the constant learning curve (34 years) since I did my first on-site landscape pieces. The actual painting time is quite limited (@2 hours), as changing light quickly alters everything. In the last 21 days spent painting around sites in Tuscany, together with a significant birthday milestone, much has happened to realize some lifelong goals in my own art making process.
While the 8th Florence Biennale International Art Exhibit brought me here, I'm coming home with many new references and ideas for the studio and beyond. The images here, are works-in-progress that will require a few light touches to finish, as the winter sun is short-lived and I had to paint quickly.
One of the joys of international travel and finding these really cool painting sites, is the people we meet along the way. In this case, Linda O'Brien, Toronto born art historian, who specializes in Renaissance and teaches art history courses around Europe, and her husband, Franco Madella, Tuscan born architect, who shared his passion for the esthetics of his native culture. We rented their apartment for 10 days in Rovezzano, a district of Florence, situated upstream, along the Arno River, where Franco gave us a guided tour on our first day. The walking tour included this “Molino” (Italian for waterwheel) site along the river where a waterwheel once operated . . . no doubt a grist mill for flours used to make pastas, pane and pizzas, but now serving more as a special place set in antiquity for lovers of all ages to come view the Arno, as they did while I painted. The near edge of the river is still diverted through ancient stone archways, and the warm light cast on the stone structures and crisp winter sky reflected in the water really caught my attention. This place is not on any tourist maps, nor could we have possibly found it on our own.
