| Steve follows footsteps! | Tuesday, May 13, 2008 by Steve Hill |
Filed under: Travel
Venice, Italy April 28, 2008
Steve follows footsteps!
I had exactly one good weather day to set-up to paint in Venezia and took advantage by starting a plein air piece at one of the many Pontes - out of the wind and with sunlight streaming through. Rain and nasty weather had prevailed throughout our entire trip during March and April, making any outdoor painting a challenge.
As I reflect back to having the opportunity to actually paint in what is, without question, the most unique city in the world, (we are presently in Croatia, nearly 2 weeks later) I have to say it was simply humbling. Tintorettos from 400 years ago were being shown in the museum, together with many other master painters from Venice. I took the time to carefully observe how they applied paint and how they translated within their own time, and really, how little the city has changed since.
I am thankful for the opportunity and picked-up some good reviews from the throngs of people passing by . . . . for me, the biggest thing was to simply paint on-site in Venice. As usual, several sketches were done the 2 days we visited the city and a huge amount of phototography for studio work was accomplished. it's all about the light here and I hope to nail it down from my field work and as time allows when we return home.
Steve follows footsteps!
I had exactly one good weather day to set-up to paint in Venezia and took advantage by starting a plein air piece at one of the many Pontes - out of the wind and with sunlight streaming through. Rain and nasty weather had prevailed throughout our entire trip during March and April, making any outdoor painting a challenge.
As I reflect back to having the opportunity to actually paint in what is, without question, the most unique city in the world, (we are presently in Croatia, nearly 2 weeks later) I have to say it was simply humbling. Tintorettos from 400 years ago were being shown in the museum, together with many other master painters from Venice. I took the time to carefully observe how they applied paint and how they translated within their own time, and really, how little the city has changed since.
I am thankful for the opportunity and picked-up some good reviews from the throngs of people passing by . . . . for me, the biggest thing was to simply paint on-site in Venice. As usual, several sketches were done the 2 days we visited the city and a huge amount of phototography for studio work was accomplished. it's all about the light here and I hope to nail it down from my field work and as time allows when we return home.
Reader Comments
1. Tuesday, May 13, 2008 @ 12:02:05 PM by Tamara
Caro Steve, your travels sound magical....I expect your artwork will have the same magic!!!!
Buon viaggio!
2. Tuesday, May 13, 2008 @ 1:38:38 PM by Casey Klahn
How does one say "envious" in Italian?
I went to Italy with my Thumb box 2 years ago, and it is instantly understood why Italy is magic for the artist.
Good journey!


